Beauty Editing

Why Your Skin Retouching Looks Fake (And the Frequency Separation Fix That Actually Works)
Retouching Techniques

Why Your Skin Retouching Looks Fake (And the Frequency Separation Fix That Actually Works)

A few years into freelancing, I got an email from a client that I still think about. She was a cosmetics brand, small but growing, and after I delivered the first round of edits she wrote back with three words: “too plastic, sorry.” No other notes. Just that. I knew exactly what she meant. I had smoothed the model’s skin until it looked like it had been buffed with a belt sander.

Why Your Portrait Colors Look Off (And the Correction Workflow That Actually Fixes Them)
Color Correction

Why Your Portrait Colors Look Off (And the Correction Workflow That Actually Fixes Them)

The Greenish Skin Problem Nobody Warns You About A few years back, I delivered a full gallery to a cosmetics client, feeling pretty good about the work. The art director called me within the hour. The model’s skin looked green. Not dramatically green, but enough that the lipstick, which was supposed to read as a warm coral, looked muddy and wrong against it. I had corrected exposure, cleaned up the skin, and completely missed a cyan-green color cast baked into the shadows from a nearby white wall that had been painted with a slight sage tint.

Evoto 8.0 Takes Portrait Retouching to the Next Level
News

Evoto 8.0 Takes Portrait Retouching to the Next Level

Evoto 8.0 Takes Portrait Retouching to the Next Level I recently attended Evoto’s press event in New York City, and I have to say—I’m genuinely impressed by where this software is heading. In an industry long dominated by Adobe’s ecosystem, seeing a challenger bring this level of innovation to portrait editing is refreshing. What’s New in Evoto 8.0? The latest version introduces features that directly address pain points we face as portrait and beauty editors.

How AI Is Revolutionizing Portrait Retouching: What You Need to Know
News

How AI Is Revolutionizing Portrait Retouching: What You Need to Know

How AI Is Revolutionizing Portrait Retouching: What You Need to Know I’ve watched the photography and beauty editing landscape shift dramatically over the past few years, and I have to say—the rise of artificial intelligence in our industry is nothing short of remarkable. What once required hours of meticulous manual work can now be accomplished in minutes, sometimes seconds. But here’s what’s really exciting: this isn’t about replacing our skills; it’s about amplifying them.

Why Your Portraits Look Flat (And How Dodge and Burn Fixes It From the Inside Out)
Retouching Techniques

Why Your Portraits Look Flat (And How Dodge and Burn Fixes It From the Inside Out)

Early in my retouching career, I got a message from a client that I still think about. She looked at the before-and-after of her portrait and said, “My skin looks like plastic.” She wasn’t wrong. I had smoothed everything, healed everything, and in doing so I had erased the very thing that made her face look like a face, which was dimension. Light and shadow, the tiny shifts in tone that tell your eye where a cheekbone ends and a temple begins.

Frequency Separation Actually Explained: How to Retouch Skin Without Making It Look Fake
Retouching Techniques

Frequency Separation Actually Explained: How to Retouch Skin Without Making It Look Fake

A few years into my retouching career, a client sent me an email I still think about. She’d hired me to retouch a headshot series for her brand campaign, and after I delivered the files, she wrote back to say the skin looked “a little like rubber.” Not bad, exactly. Just wrong. Like the faces belonged to very convincing mannequins. I had softened every blemish, every pore, every shadow, until the texture was completely gone.

Why Your Portrait Colors Look Wrong (And the Correction Workflow That Actually Fixes Them)
Color Correction

Why Your Portrait Colors Look Wrong (And the Correction Workflow That Actually Fixes Them)

Why Your Portrait Colors Look Wrong (And the Correction Workflow That Actually Fixes Them) By Maya Chen A few years back, I delivered a set of beauty edits to a client and felt genuinely proud of them. The skin was smooth, the hair had dimension, the eyes popped. Then the client wrote back and said the models looked “a little green.” I zoomed in, pulled up the Curves panel, and felt my stomach drop.

The Art of Historical Authenticity: What the First Tornado Photo Teaches Us About Editing Ethics
News

The Art of Historical Authenticity: What the First Tornado Photo Teaches Us About Editing Ethics

A Humbling Reminder from 1884 I’ve been thinking a lot lately about authenticity in our work as retouchers and beauty editors. So when I discovered the story of the first-ever photograph of a tornado, taken in 1884 by a Kansas fruit farmer, I realized it offers us a profound lesson—one that’s surprisingly relevant to what we do today. The Unvarnished Original Here’s what struck me: the actual first tornado photograph isn’t the dramatic, cinematically perfect image most of us have seen circulating.

Game-Changing Portrait Photography: What Apple's New Foldable iPhone Means for Beauty Editors
News

Game-Changing Portrait Photography: What Apple's New Foldable iPhone Means for Beauty Editors

Game-Changing Portrait Photography: What Apple’s New Foldable iPhone Means for Beauty Editors I’ve been following Apple’s latest announcement with genuine excitement, and I think we need to talk about what this means for our community of portrait photographers and retouchers. The new iPhone Duo isn’t just another phone—it’s a potential game-changer for how we capture and edit beauty imagery. The Hardware That Matters for Portrait Work What strikes me first about this device is the impressive dual 48 MP rear camera setup.

Portrait Cleanup Before You Retouch: Why Skipping This Step Is Costing You Hours
Retouching Techniques

Portrait Cleanup Before You Retouch: Why Skipping This Step Is Costing You Hours

Portrait Cleanup Before You Retouch: Why Skipping This Step Is Costing You Hours A few years back, a client sent me back a set of beauty edits with a note that still stings a little to think about. “These look plastic,” she wrote. “Like a wax figure, not a person.” I had spent hours on those files. Frequency separation, dodge and burn, careful spot healing. The technical execution was fine. The problem was that I had retouched over chaos.

Why Your Portraits Look Flat (And How Dodge & Burn Actually Fixes It)
Retouching Techniques

Why Your Portraits Look Flat (And How Dodge & Burn Actually Fixes It)

Early in my retouching career, a client sent back a set of headshots with a note that still stings a little to remember. “These look great,” she wrote, “but the skin feels kind of… flat?” She wasn’t wrong. I had smoothed everything beautifully and removed every blemish, but the face had lost its dimension. It looked like a face printed on paper rather than a face that existed in three-dimensional space.

Why Your Makeup Retouching Looks Fake (And the Frequency Separation Fix That Actually Works)
Retouching Techniques

Why Your Makeup Retouching Looks Fake (And the Frequency Separation Fix That Actually Works)

There’s a specific kind of client email I used to dread. Not the ones asking for revisions — those are fine, that’s the job. The ones I dreaded started with something like, “It looks a little… digital?” Which is client-speak for: the makeup you painted on her eyelids looks like it was applied by a robot who has never seen a human face. I spent the better part of a year figuring out why digitally applied makeup reads as fake, and more importantly, how to stop it from happening.