Fashion Photography

Start in Camera Raw: How Jessica Kobeissi Builds a Fashion Portrait Edit From the Ground Up
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Start in Camera Raw: How Jessica Kobeissi Builds a Fashion Portrait Edit From the Ground Up

There’s a version of me from about five years ago who skipped Camera Raw entirely. I’d double-click a RAW file, immediately dismiss the panel, and jump straight into Photoshop like I was in a hurry to start making mistakes. The result was always the same: I’d spend twice as long pushing sliders around in adjustment layers trying to fix things that Camera Raw could have handled in thirty seconds. Learning to slow down before the “real” editing begins was one of the more humbling lessons of my career.

What Parabolic Lighting Actually Does to Skin (And Why It Changes How I Retouch)
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What Parabolic Lighting Actually Does to Skin (And Why It Changes How I Retouch)

There’s a pattern I’ve noticed after years of retouching images for beauty brands: the shots that take me forty-five minutes to retouch and the ones that take three hours aren’t separated by the model’s skin, the makeup, or even the photographer’s skill level. They’re separated by the light. When the lighting is doing its job well, the skin already has dimension, the shadows fall cleanly, and my job becomes refinement rather than reconstruction.

Shooting Fashion Portraits Outdoors: How to Balance Flash and Natural Light Like a Pro
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Shooting Fashion Portraits Outdoors: How to Balance Flash and Natural Light Like a Pro

There is a specific kind of frustration that comes from arriving at a beautiful outdoor location with a model, a concept, and a mood board, and then watching the sky blow out your background into a pale, featureless blob. I ran into this constantly when I was shooting weddings, and honestly it followed me into my early beauty work too. The background either drowns everything out or the subject ends up underexposed and muddy.