The One Lightroom Masking Mode Most People Never Switch On
There’s a specific frustration I run into constantly when editing beauty and product work: the background needs its own treatment, completely separate from the subject. Sometimes it’s a seamless sweep that needs to pop. Sometimes it’s a reflective floor that should feel glossier, or a wall that’s pulling attention away from the face I’ve spent an hour perfecting. The subject selection tools in Lightroom are genuinely impressive now, but they’re built around the assumption that the subject is the thing you want to adjust.