How to Use a Frame-Within-a-Frame to Transform an Ordinary Cityscape Into a Cinematic Shot
There’s a moment every photographer dreads: you show up to one of the most photographed landmarks on earth, tripod in hand, and realize that every angle you find has already been shot ten thousand times. I ran into this exact wall early in my career, long before I moved into beauty retouching full-time. I’d stand in front of a famous location and freeze, convinced that anything I captured would look like a tourist snapshot dressed up with a filter.