Portrait Retouching

Dodge & Burn Done Right: Why I Ditched the Default Tools (And What I Use Instead)
Video Tutorials

Dodge & Burn Done Right: Why I Ditched the Default Tools (And What I Use Instead)

There’s a specific kind of dread that comes from finishing a retouch, sending it to a client, and then immediately seeing what you should have done differently. Early in my beauty retouching career, I made that mistake with dodge and burn constantly. I’d use Photoshop’s built-in dodge and burn tools, spend twenty minutes sculpting light and shadow across a face, keep editing, and then realize the effect was too heavy-handed with no clean way to walk it back.

The Lazy Retoucher's Secret: Non-Destructive Dodge and Burn with High Pass
Video Tutorials

The Lazy Retoucher's Secret: Non-Destructive Dodge and Burn with High Pass

There’s a version of dodge and burn that I used early in my retouching career that I am not proud of. I was painting directly on the image, guessing at opacity, undoing constantly, and somehow still ending up with skin that looked like it had been buffed with a floor polisher. The technique works if you know what you’re doing, but the margin for error is brutal, and when you’re charging a beauty client for clean, natural results, “I’ll just undo it” is not a workflow.

Why Your Headshots Look Retouched (And How to Fix That Before the Client Sees Them)
Portrait Retouching

Why Your Headshots Look Retouched (And How to Fix That Before the Client Sees Them)

There’s a specific kind of dread that comes with opening a headshot session in Lightroom and realizing the skin on every frame is doing something weird. Not broken, exactly. Just… uneven. Patches of warmth next to patches of cool. Texture that looks fine at 25% zoom and alarming at 100%. Corporate headshots are brutal that way. The subject sat under office fluorescents for thirty minutes, the light shifted twice, and now I’m the one who has to make it look like none of that happened.

The Glow Effect Just Got Easier: A Step-by-Step Guide to Adobe Camera Raw's New Glow Tool
Video Tutorials

The Glow Effect Just Got Easier: A Step-by-Step Guide to Adobe Camera Raw's New Glow Tool

There’s a certain kind of soft luminosity in beauty photography that clients always ask for and can never quite describe. They’ll send a reference image and say something like “can you make it feel like that?” What they’re pointing at, nine times out of ten, is some version of the glow effect - that gentle, diffused light that makes skin look lit from within rather than just lit from outside. I’ve been chasing that look since my early retouching days, and for a long time it meant stacking duplicate layers, blurring them, changing blend modes, masking carefully, and hoping the whole thing held together when I flattened it.

Color Dodge in Photoshop: A Cinematic Color Grading Technique Worth Adding to Your Workflow
Video Tutorials

Color Dodge in Photoshop: A Cinematic Color Grading Technique Worth Adding to Your Workflow

There’s a particular kind of portrait image that stops you mid-scroll. The light feels alive. The highlights glow with color rather than just blowing out to white. The shadows have personality. More often than not, that look comes from deliberate color work in post, not lucky golden hour lighting. For a long time, I chased that quality using the same handful of tools I’d been using since my wedding photography days, and the results were fine.

How to Dodge and Burn Without Destroying Your File (The Non-Destructive Way)
Video Tutorials

How to Dodge and Burn Without Destroying Your File (The Non-Destructive Way)

Early in my retouching career, I burned through a portrait by painting directly on a duplicate layer with the actual Dodge and Burn tools. The highlights went gray, the shadows went muddy, and my client very politely told me the result looked “a little plastic.” She was being generous. The problem wasn’t my eye for light and shadow. It was that I had no way to go back and correct the intensity without starting over completely.

What 5 Fiverr Retouchers Taught Me About Skin Editing (And Where Each One Fell Short)
Video Tutorials

What 5 Fiverr Retouchers Taught Me About Skin Editing (And Where Each One Fell Short)

There’s a question I get in almost every workshop I teach: “How do I know when a retouch is actually good?” It’s harder to answer than it sounds. Good retouching is largely invisible, which means the easiest way to calibrate your eye is to study a range of results on the exact same image. That’s precisely why I keep coming back to this experiment from photographer Jessica Kobeissi, where she hired five Fiverr retouchers at price points ranging from about seven dollars to two hundred dollars, gave each one the same portrait with zero direction, and then reviewed the results cold.

What 5 Fiverr Retouchers Taught Me About the Art of Subtle Beauty Editing
Video Tutorials

What 5 Fiverr Retouchers Taught Me About the Art of Subtle Beauty Editing

One of the hardest things to explain to a new client is why a retouch that “does less” often costs more. Early in my retouching career, I lost a client because my edits looked, in her words, like a wax figure. She wasn’t wrong. I had smoothed everything, brightened everything, and in doing so erased the quiet details that made her face feel like a face. That experience sent me deep into studying how the best retouchers actually work, and what I keep coming back to is this: the goal is removal of distraction, not removal of humanity.

Soft Skin, Real Results: A Working Retoucher's Breakdown of Jessica Kobeissi's Portrait Workflow
Video Tutorials

Soft Skin, Real Results: A Working Retoucher's Breakdown of Jessica Kobeissi's Portrait Workflow

There’s a particular kind of client feedback that stays with you. Mine came early in my career, when someone looked at a beauty edit I’d spent three hours on and said the skin looked “like a wax figure.” I’d been heavy-handing my retouching without a solid workflow underneath it, and the result showed. What I needed was a structured approach to building a clean, flexible base before touching a single blemish.

The Five-Minute Portrait Cleanup That Makes the Difference Between Good and Great
Retouching Techniques

The Five-Minute Portrait Cleanup That Makes the Difference Between Good and Great

My first year doing serious beauty retouching, a client emailed me back with three words: “She looks plastic.” I stared at that email for a long time. I had spent two hours on that image. I had smoothed every pore, evened every tone, and delivered what I thought was a polished, professional edit. What I had actually delivered was a face that looked like it had been buffed with sandpaper and then laminated.

Retouching Mature Skin in Photoshop: A Gentle Approach That Actually Respects Your Subject
Video Tutorials

Retouching Mature Skin in Photoshop: A Gentle Approach That Actually Respects Your Subject

Most of my retouching work these days comes from beauty brands, and I’ll be honest - the briefs I find most interesting aren’t the ones asking me to create an impossibly smooth complexion. They’re the ones where the subject has a face that’s actually lived in. Laugh lines, textured skin, a little unevenness in tone. That’s where thoughtful retouching really earns its keep, because the goal isn’t erasure. It’s enhancement.

Why Your Makeup Retouching Looks Painted On (And How to Fix It in Photoshop)
Retouching Techniques

Why Your Makeup Retouching Looks Painted On (And How to Fix It in Photoshop)

A client once told me my retouching looked “like a wax figure wearing lipstick.” She wasn’t wrong. I had smoothed the skin, punched the eye shadow, and deepened the lip color until everything was technically perfect and completely lifeless. That note stung, but it taught me something I now consider the foundation of every beauty edit I do: makeup in a photo has to behave like makeup on skin, not makeup on plastic.