Skin Texture

What Tyra Got Wrong About Skin Texture (And What It Means for How We Retouch)
Video Tutorials

What Tyra Got Wrong About Skin Texture (And What It Means for How We Retouch)

There’s a clip from the first cycle of America’s Next Top Model that has lived rent-free in my head since I stumbled across Jessica Kobeissi’s reaction video a few weeks ago. Tyra Banks tells a model, on camera, that her skin texture made the retoucher’s job the hardest of the entire shoot. The implication is clear: natural skin is a problem to be solved. I’ve been retouching beauty work long enough to know that this framing does real damage, not just to models on reality television, but to the everyday clients who come to photographers already convinced their skin needs to be erased before they can look good in a photo.

Sharpen Portrait Details Without Wrecking Skin Texture - A Lightroom Masking Trick Worth Knowing
Video Tutorials

Sharpen Portrait Details Without Wrecking Skin Texture - A Lightroom Masking Trick Worth Knowing

There was a period early in my retouching career when I was convinced that sharp meant better. Sharp everything, everywhere, always. Then a client looked at a beauty edit I’d delivered and said the skin looked “like sandpaper.” She wasn’t wrong. I’d applied aggressive sharpening globally and the result was texture that read as gritty instead of detailed, harsh instead of refined. That one comment sent me down a rabbit hole of learning how sharpening actually works for skin, and more specifically, how to apply it selectively so your edges and details pop without making a person’s complexion look like it was rendered in a video game from 2003.

The Reality Behind Protest Photography: What Your Retouching Clients Actually Experience
News

The Reality Behind Protest Photography: What Your Retouching Clients Actually Experience

When Documentation Becomes Art I spent time recently covering protests in Newark, and the experience completely shifted how I think about portrait retouching. What struck me most wasn’t the drama captured in photographs—it was everything happening between the dramatic moments. This realization has profound implications for how we approach beauty editing and skin retouching. The Gap Between What We See and What We Show When images from protests circulate online, people envision non-stop intensity.