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What Adobe Actually Changed in Photoshop This April (And What It Means for Your Retouching Workflow)
Last month I had a beauty campaign on my desk, three skin tones across six hero shots, and a creative director who kept asking for “just a little more refinement around the hair.” If you’ve ever tried to cleanly separate fine hair from a gradient background, you already know where this is going. I burned almost two hours on masks that should have taken thirty minutes, and I kept thinking: there has to be a better way to do this now.