What Adobe Actually Changed in Photoshop This April (And What It Means for Your Retouching Workflow)

What Adobe Actually Changed in Photoshop This April (And What It Means for Your Retouching Workflow)

Last month I had a beauty campaign on my desk, three skin tones across six hero shots, and a creative director who kept asking for “just a little more refinement around the hair.” If you’ve ever tried to cleanly separate fine hair from a gradient background, you already know where this is going. I burned almost two hours on masks that should have taken thirty minutes, and I kept thinking: there has to be a better way to do this now.