Video Tutorials

What 6 Fiverr Retouchers Taught Me About Giving (and Getting) Better Editing Briefs
Video Tutorials

What 6 Fiverr Retouchers Taught Me About Giving (and Getting) Better Editing Briefs

There is a particular kind of dread that comes with handing your work to someone else. I felt it acutely early in my retouching career, when a client looked at a portrait I had spent two hours on and said, flatly, that it looked “plastic.” That comment recalibrated everything about how I approach skin, light, and instruction. So when I came across a Jessica Kobeissi tutorial where she commissions six strangers on Fiverr to retouch the same professional portrait, I watched it twice.

How to Edit Skin That Actually Glows: A Lightroom Brush Workflow Worth Stealing
Video Tutorials

How to Edit Skin That Actually Glows: A Lightroom Brush Workflow Worth Stealing

Backlit portraits are some of the most beautiful images you can shoot, and also some of the most frustrating to edit. The light wraps around the hair like a halo, the background glows, and then you look at the face and it’s flat. Muddy. Nothing. I’ve delivered more than a few portraits where I thought the backlit glow was carrying the whole image, only to have a client point out that the skin looked lifeless.

Why I Do Almost All My Skin Retouching on One Layer (And How You Can Too)
Video Tutorials

Why I Do Almost All My Skin Retouching on One Layer (And How You Can Too)

I spent the better part of a year making skin look plastic. Not intentionally, obviously. I was working on beauty campaigns and thinking I was doing good work, until a client gently suggested my edits looked “a little unnatural.” That was the moment I got serious about frequency separation, and more specifically, about understanding which part of frequency separation actually does the heavy lifting. It turns out I had been overcomplicating things in the worst possible way.

Three Lights, One Stunning Beauty Shot: What Carl Taylor's Godox Setup Taught Me About Lighting Control
Video Tutorials

Three Lights, One Stunning Beauty Shot: What Carl Taylor's Godox Setup Taught Me About Lighting Control

There’s a moment every retoucher knows well: you open a file and realize the photographer was fighting the light instead of using it. The background is uneven, the shadows are muddy, and the skin tones have that gray, uncertain quality that no amount of frequency separation is going to rescue. You can fix a lot in post, but you cannot manufacture the quality of light that was never there to begin with.

The Unguarded Moment: What Street Photography Taught Me About Capturing People Authentically
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The Unguarded Moment: What Street Photography Taught Me About Capturing People Authentically

There’s a tension I’ve carried since my wedding photography days that I never quite had a name for. When I’d lift the camera during the ceremony, guests would stiffen. The flower girl would stop being a flower girl and start being a performer. I’d get the shot, but I’d lose the moment. It took me years of working in retouching - staring at the difference between a face that’s alive and a face that’s posing - to understand what was actually happening.

What 5 Fiverr Retouchers Taught Me About the Mistakes We All Make on Skin
Video Tutorials

What 5 Fiverr Retouchers Taught Me About the Mistakes We All Make on Skin

One of the fastest ways to sharpen your eye as a retoucher is to look at someone else’s work and pinpoint exactly why it feels off. Not to be harsh, but because your brain starts building a catalog of what to avoid, and that catalog saves you from making the same calls on your own edits. I stumbled into retouching the hard way, after a client once told me my portraits looked “plastic,” and that word stuck with me like a splinter.

Sharpen Portrait Details Without Wrecking Skin Texture - A Lightroom Masking Trick Worth Knowing
Video Tutorials

Sharpen Portrait Details Without Wrecking Skin Texture - A Lightroom Masking Trick Worth Knowing

There was a period early in my retouching career when I was convinced that sharp meant better. Sharp everything, everywhere, always. Then a client looked at a beauty edit I’d delivered and said the skin looked “like sandpaper.” She wasn’t wrong. I’d applied aggressive sharpening globally and the result was texture that read as gritty instead of detailed, harsh instead of refined. That one comment sent me down a rabbit hole of learning how sharpening actually works for skin, and more specifically, how to apply it selectively so your edges and details pop without making a person’s complexion look like it was rendered in a video game from 2003.

The Dodge & Burn Layer Trick That Changed How I Retouch Skin
Video Tutorials

The Dodge & Burn Layer Trick That Changed How I Retouch Skin

There’s a moment in retouching when you realize that chasing perfection with the wrong tools is actually making things worse. For me, that moment came early in my beauty retouching career, when a client told me my edits looked “plastic.” She wasn’t wrong. I was dodging and burning with Photoshop’s built-in Dodge and Burn tools, directly on the pixel layer, and the results were muddy, flat, and irreversible. One mistake and I was undoing fifteen minutes of work.

Lighting, Bounce Cards, and Background Work: What a 70,000-Product Photographer Does Differently
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Lighting, Bounce Cards, and Background Work: What a 70,000-Product Photographer Does Differently

Product photography and portrait retouching overlap more than most people expect. When a beauty brand sends me a flat-lay or a packshot alongside a model image, the background work is often the thing that eats my afternoon. Wrinkled seamless paper, color casts bleeding into product surfaces, shadows that read as accidental rather than intentional. I’ve spent more time than I’d like to admit patching out the corner of a sweep or neutralizing a green bounce from a colored wall.

Fixing Tan Lines and Sunburn in Photoshop: A Color Range Selection Workflow That Actually Works
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Fixing Tan Lines and Sunburn in Photoshop: A Color Range Selection Workflow That Actually Works

Summer shoots are some of my favorites to work on. The light is gorgeous, the energy is high, and then the files land in my inbox and I remember: tan lines. Swimsuit straps, watch marks, sock lines, the full chest-and-shoulder sunburn that turns an otherwise beautiful portrait into a puzzle. Early in my retouching career I used to attack these with a Hue/Saturation layer applied to the whole image and wonder why it looked wrong.

DSLR Video for Photographers: The Three Settings That Actually Make Footage Look Cinematic
Video Tutorials

DSLR Video for Photographers: The Three Settings That Actually Make Footage Look Cinematic

There is a specific kind of panic that hits when a client asks for a short behind-the-scenes video alongside their portraits and you realize your DSLR is sitting there fully capable of shooting it, and you have no idea where to start. I ran into this exact wall a couple of years into my freelance work. I knew how to light a face, how to direct a subject, how to get a technically clean RAW file.

A Working Retoucher's Walkthrough: Beauty Retouching in Photoshop from Scratch
Video Tutorials

A Working Retoucher's Walkthrough: Beauty Retouching in Photoshop from Scratch

Early in my retouching career, a client looked at a set of beauty edits I’d delivered and said the skin looked “like plastic.” She wasn’t wrong. I’d been smoothing and softening without any real understanding of light and shadow on a face, and the results showed it. What I was missing wasn’t a better tool. It was a proper workflow that treated the face as a three-dimensional thing with real tonal structure.